Japanese Anenome Linocut in Progress

I have been working on my Japanese Anenome Linocut, 3 colours down and 2 more to go. This is a reduction linocut, which means after I have printed a colour, I remove more material from the lino block to print the next colour.

The design has changed a bit as I’ve been cutting and printing the block in reaction to the colours I can produce with the inks I have.

I have been using strips of mountboard glued to a plastic sheet to register the lino block with the paper. The registration has been excellent, but the strips of mountboard have embossed their shape on the paper print. Once I have a final edition of prints I will window-mount them so that the unwanted embossed effect is hidden.

(© Catherine Cronin)

 

Weekly Sketch – Playing with collage, Alcazaba of Málaga – 24/10/15

I’ve been playing with collage to try and understand an image I want to make of the Alcazaba of Málaga.  Based on a photograph I took, I’ve been painting the separate elements, cutting out the forms and fitting them together to make the image. This process helps me to understand how the different forms and colours relate to each other, and what is or isn’t working. I already have some ideas now on how I want to take this image forward.

MalagaFortressCollageweb

 

(© Catherine Cronin)

Weekly Sketch – Alhambra Parabolic Fountains – 05/07/2015

Quick sketch in pencil and pen of one of the Alhambra’s wonderful parabolic fountains in a courtyard garden.

alhambra-parabolic-fountainsweb

 

(© Catherine Cronin)

Weekly Sketch – Garden at the Alcazaba of Málaga 3 – 23/04/2015

A very different image of the garden at the Alcazaba of Málaga as compared to the previous weeks’ watercolour renditions; this one is a very considered line drawing in fountain pen on textured watercolour paper, inspired by Edward Bawden’s graphic work. I didn’t do an under-drawing, so I knew any mistakes would have to stay. Overall I am pleased with the image, I like the different mark making to describe texture and shape; I especially like the hedged rose beds and the tree forms, however I think the wall at the back is a bit weak – it looks more like a fence! In hindsight I should have continued the brick forms seen in the wall on the right. Oh well, it’s always a learning curve this game we play called making.

MalagaGarden3web

MalagaGardenCU3web

 

 

(© Catherine Cronin)

Weekly Sketch – Garden at the Alcazaba of Málaga 2 – 17/04/2015

I really enjoyed sploshing watercolour paint about on this heavily textured paper to make this image of a garden at the Alcazaba of Málaga.

MalagaGarden2web

MalagaGarden3web

(© Catherine Cronin)

Weekly Sketch – Garden at the Alcazaba of Málaga – 11/04/2015

I wanted to make an enlarged drawing of a photograph I took of a garden at the Alcazaba of Málaga. I wanted a simple outline of the garden forms to use as a guide so that I could easily try different materials and styles to make the image. So for the first time ever! I enlarged the photograph using the grid system; I traced the photograph and then placed it over a grid of 2×2 cm squares; I then drew a grid of 4×4 cm squares and carefully replicated the lines from the traced photograph. I traced the enlarged drawing so I could make multiple guides by going over my tracing and transferring the pencil to paper. I made my first sketch in watercolour, to get a feel for shape and colour. I want to go a bit more abstract next with this image. I did draw the image the opposite way round intentionally so as to loosen up my painting.

enlargingdrawing

enlargingdrawin2g

enlargeddrawing

MalagaGardenweb

(© Catherine Cronin)