Japanese Anenome Linocut in Progress

I have been working on my Japanese Anenome Linocut, 3 colours down and 2 more to go. This is a reduction linocut, which means after I have printed a colour, I remove more material from the lino block to print the next colour.

The design has changed a bit as I’ve been cutting and printing the block in reaction to the colours I can produce with the inks I have.

I have been using strips of mountboard glued to a plastic sheet to register the lino block with the paper. The registration has been excellent, but the strips of mountboard have embossed their shape on the paper print. Once I have a final edition of prints I will window-mount them so that the unwanted embossed effect is hidden.

(© Catherine Cronin)

 

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Letter G Linocut Design – Second Colour Printed

I have joined a linocut group on facebook, where members can sign up to print a linocut letter for different themed alphabets. I have chosen the letter ‘G’ for a freestyle alphabet, image size 15×15 cm. You can read more about how I came up with my design here. And about printing the first colour here.

Letter G linocut first colour printed © Catherine Cronin

Letter G linocut first colour printed

I am doing a reduction linocut of three colours; below is an image of the ‘soft-cut’ block cut for the second colour to be printed. Only the letter ‘G’ will be printed; I left some ‘triangular’ shapes near the edge to give a bit of stability to the block.

2ndColourBlockGLinocutweb

I am using Caligo waterbased inks; the first colour I mixed was taupe (yellowish light grey), this second colour is straight from the tube, Naphthol red.

NaphtholRedInkRolledweb

2ndColourBlockGLinocuInkedweb

I was worried that my registration method for printing the block in the same position in relation to the paper would not be accurate enough. There has been some slight movement on some of the prints but it is pretty spot on. Image below shows the block inked in register on an acetate sheet, the printing paper is lined up with the black horizontal and vertical lines towards the bottom and right. I have used cut paper to mask off areas of the block that have picked up ink in the lower level which I don’t want to print.

2ndColourBlockGLinocutRegisteredweb

 

Here are the prints drying, so far so good; I have one final colour to print which is black, hopefully the registration will be okay for the last colour too – fingers crossed!

2ndColourBlockGLinocutPrintedDryingweb

(© Catherine Cronin)

 

Letter G Linocut Design – First Colour Printed

I have joined a linocut group on facebook, where members can sign up to print a linocut letter for different themed alphabets. I have chosen the letter ‘G’ for a freestyle alphabet, image size 15×15 cm. You can read more about how I came up with my design here.

FINAL DESIGN

FINAL DESIGN

I am doing a reduction linocut, also known as a ‘suicide’ cut. Once the first colour is printed you remove more lino from the block to print the next colour and so on for each subsequent colour. This means that if you make a mistake you cannot start again. There is no going back with a ‘suicide’ cut.

LetterG_marked_linoWeb

 

LetterG_marked_lino2Web

 

I marked out the image on my ‘soft cut’ lino using biro; making sure that my letter ‘G’ was drawn as a mirror image so that when I take a print, the print will show the letter ‘G’ the correct way around.The O and X marks denote areas of colour. Where there are no O and X marks that is the material I want to remove first.

LetterG_marked_lino_FirstCutweb

 

I mixed the first colour which is taupe (a yellowish light grey) using Caligo waterbased inks. I wanted a warmer grey than the graphite pencil as seen in my sketched final design.

I found out that if I didn’t roll on the ink to completely cover the biro pen markings on the lino block, the biro pen actually started to print onto the paper – that was an unwelcome surprise.

LetterG_CaligoInksFirstColourweb LetterG_rollingInkFirstColourweb

LetterG_InkingFirstColourweb

LetterG_FirstBlock_taupeweb

FIRST COLOUR PRINTED

 

I regret the registration method I used to make sure that my lino block and paper could be printed in the same position for each colour. I marked out my lino block in relation to the position of the paper with marker pen on acetate. This method works, but it is not 100% accurate, there is a slight movement of position each time you line up your block and paper. As my image depends on the geometry of the design I should have used a more accurate registration method; I realised this too late! I will have to press on and hope that any movement is very slight and not too noticeable when it comes to printing the next two colours.

(© Catherine Cronin)