Pear Pop Linocuts

Here are some of the final prints of ‘Pear Pop’ linocuts with added collaged leaves after printing. I am planning an edition of 10 for each pear design. These linocuts are companion pieces to my ‘Apple Pop‘ linocut from last year.

Printed with Caligo relief water-based ink on specialist printing paper, Zerkall 150 gsm. The colour collaged paper is Japanese straw silk paper.

I will be listing them in my Etsy and Artfinder online shops soon. Apple Pop linocuts are available in these shops now.

(© Catherine Cronin)

 

Printing Pear Pop Linocuts

At last I’ve been able to start printing some new images this year; these are the first prints of ‘Pear Pop’ linocut with chine–collé (collaged paper), companion pieces to ‘Apple Pop‘ linocuts from last year.

I do intend to add more collaged leaves to these prints once the ink has dried – similar to the ‘Apple Pop’ prints.

Printed with Caligo relief water-based ink on specialist printing paper, Zerkall 150 gsm. The colour collaged paper is Japanese straw silk paper.

(© Catherine Cronin)

 

Japanese Anenome Linocut in Progress

I have been working on my Japanese Anenome Linocut, 3 colours down and 2 more to go. This is a reduction linocut, which means after I have printed a colour, I remove more material from the lino block to print the next colour.

The design has changed a bit as I’ve been cutting and printing the block in reaction to the colours I can produce with the inks I have.

I have been using strips of mountboard glued to a plastic sheet to register the lino block with the paper. The registration has been excellent, but the strips of mountboard have embossed their shape on the paper print. Once I have a final edition of prints I will window-mount them so that the unwanted embossed effect is hidden.

(© Catherine Cronin)

 

Apple Pop Prints

I’ve been proofing linocut prints of apples. Initially conceived as a print exploring positive and negative space; I found it hard to resist adding colour. In this case I’ve added colour using the method of chinecollé; which means collaging coloured paper onto the white paper surface and then printing on top of that coloured paper.

To get the registration right you glue the coloured paper at the same time as you print. So once your linocut block is inked, you place your cut out coloured paper forms on the inked linocut block with the glue side facing outwards, then you lay your white printing paper on top and press as normal. 

For the below images I added the coloured forms for the apples and their attached leaves at the time of printing. Afterwards I collaged the other two floating leaf forms. I intend to edition these as I really like their retro mid-century modern feel. I’m calling them ‘Apple Pop’ because of the bright ‘popping’ colours of the collaged paper.

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(© Catherine Cronin)