Barn Owl, Tawny Owl & Long-eared Owl Linocuts

Work continues on my linocut print series ‘5 English Owls’. To celebrate having three owls available for sale in my Etsy shop, if you buy two prints or more you can get 20% OFF the total price using the code 3OWLS20. This coupon is only valid when buying my Owl prints. Valid from today till 11 September 2019.

 (© Catherine Cronin)

Long-eared Owl Linocut

I’ve finally started to print my third English Owl linocut, the Long-eared Owl, again producing black and white prints and hand-coloured versions using watercolour.

I hope to have these listed in my online shops soon, watch this space as I will be offering a discount to celebrate having 3 out of 5 English Owl linocuts available.

 (© Catherine Cronin)

Barn Owl and Tawny Owl Linocuts

Just finished printing off the first prints of my Tawny Owls; adding hand colouring with watercolour. It’s quite hard to keep the brushstrokes ‘free’ and I think ‘less is more’ in this style of print. Work in progress to complete the other 3 owls in my English Owls series. To celebrate having two owls available for sale in my Etsy shop, if you buy two prints you can get £20 OFF the total price using the code OWL20. This coupon is only valid when buying my Owl prints. Valid till end of March 2019.

 

 (© Catherine Cronin)

Barn Owl linocut print

 

I finally got around to cutting and printing my Barn Owl linocut design this year. I decided to print a black and white edition as well a hand-coloured edition, as I liked them both as much as each other! Printed with Charbonnel oil-based printing ink on specialist printing paper, Zerkall 210 gsm. Coloured by hand with watercolour paint, which means each print is uniquely painted in the watercolour series. Available in my Artfinder and Etsy shops.

(© Catherine Cronin)

 

Current printmaking exhibitions in London

There are a few interesting printmaking exhibitions currently on in London.

First up; ‘Etching:The Infernal Method’ curated by Norman Ackroyd and part of ‘Art Sales’ series at the Royal Academy of Arts. “This selection of works for sale by Royal Academicians and invited artists celebrates the diversity of contemporary etching practice.” It’s free and on until 19 February 2018.

Norman Ackroyd RA, Thirsk Hall, 2006. Edition of 90. Etching. 17.5 x 28 cm. (RA, exhibition Etching:The Infernal Method)

Next we have; ‘The business of prints’ at the British Museum, free and on until 28 January 2018. “This wide-ranging exhibition selects fine examples from the nation’s print collection to look at how prints were created, developed, bought and sold in the period 1400–1850.”

Abraham Bosse, The workshop of a printer (detail), etching, 1642. (The British Museum, The business of prints exhibition)

Next up is ‘Eclectic: The Julie and Robert Breckman Collections at the V&A’, free and on until 4 March 2018. “This display features some of the best prints and posters acquired for the V&A through The Julie and Robert Breckman Print Fund over a decade of collecting.”

Eclectic: The Julie and Robert Breckman Collections at the V&A (image not credited by the V&A).

Finally we have this exhibition to #SaveTheDate for and #NotToBeMissed as its only on for a short while. ‘One-off: The Masters, Monoprint’, 8 – 19 November  at the Bankside Gallery. “This is a compelling series of annual exhibitions focusing in turn on one of the many techniques practised by our members, … This year’s technique is monoprint and the show is being curated by Morgan Doyle RE, a highly skilled printmaker who frequently uses this technique.”

Morgan Doyle RE, As it is, monoprint (Bankside Gallery – One-off The Masters, Monoprint exhibition)

 

The American Dream pop to the present Exhibition at the British Museum

I saw The American Dream pop to the present print exhibition at the British Museum and I highly recommend a visit especially if you are interested in print. This exhibition explores the last 60 years of American history through the printed output of great artists responding to the changing world around them. The exhibition is visually and historically dense with intelligent art. I picked up postcards of two of my favourite prints from the exhibition.

‘Pay Attention’ 1973 Bruce Nauman Litograph © Bruce Nauman/Artists Rights Society (ARS), New York and DACS, London 2017. Image coutesy Mary Ryan Gallery, new York.

 

‘Dead End 2’ from Rusty Signs 2014 Ed Ruscha Mixografia print on handmade paper. © Ed Ruscha, courtesy of the artist