Pear Pop Linocut Prints available

I’ve put these Pear Pop linocut and chine–collé prints in my Etsy shop. Use coupon code MAYSPRINGSALE to get 15% OFF. Each design is a limited edition of 10 but with varying colours of chine-collé. Printed with Caligo relief water-based ink on specialist printing paper, Zerkall 150 gsm. The colour collaged paper is Japanese straw silk paper. These linocuts are companion pieces to my ‘Apple Pop‘ linocut from last year. I’ll be posting the rest of my Pear Pop linocuts soon in my other online shops.

(© Catherine Cronin)

Pear Pop Linocuts

Here are some of the final prints of ‘Pear Pop’ linocuts with added collaged leaves after printing. I am planning an edition of 10 for each pear design. These linocuts are companion pieces to my ‘Apple Pop‘ linocut from last year.

Printed with Caligo relief water-based ink on specialist printing paper, Zerkall 150 gsm. The colour collaged paper is Japanese straw silk paper.

I will be listing them in my Etsy and Artfinder online shops soon. Apple Pop linocuts are available in these shops now.

(© Catherine Cronin)

 

Printing Pear Pop Linocuts

At last I’ve been able to start printing some new images this year; these are the first prints of ‘Pear Pop’ linocut with chine–collé (collaged paper), companion pieces to ‘Apple Pop‘ linocuts from last year.

I do intend to add more collaged leaves to these prints once the ink has dried – similar to the ‘Apple Pop’ prints.

Printed with Caligo relief water-based ink on specialist printing paper, Zerkall 150 gsm. The colour collaged paper is Japanese straw silk paper.

(© Catherine Cronin)

 

Apple Pop Prints

I’ve been proofing linocut prints of apples. Initially conceived as a print exploring positive and negative space; I found it hard to resist adding colour. In this case I’ve added colour using the method of chinecollé; which means collaging coloured paper onto the white paper surface and then printing on top of that coloured paper.

To get the registration right you glue the coloured paper at the same time as you print. So once your linocut block is inked, you place your cut out coloured paper forms on the inked linocut block with the glue side facing outwards, then you lay your white printing paper on top and press as normal. 

For the below images I added the coloured forms for the apples and their attached leaves at the time of printing. Afterwards I collaged the other two floating leaf forms. I intend to edition these as I really like their retro mid-century modern feel. I’m calling them ‘Apple Pop’ because of the bright ‘popping’ colours of the collaged paper.

BandWApplesCCroninweb

ApplePopPair1CCroninweb ApplePopPair2CCroninweb ApplePopPair3CCroninweb ApplePopPair4CCroninweb

(© Catherine Cronin)

 

Little Cactus Photo Etching

I took another printmaking course at City Lit taken over 3 weekends; the course aim was to support you in your own printmaking projects. As I had just completed one course on photo etching; I wanted to continue and create another print through photo etching. The first attempt at photo etching for me was successful; this second attempt was full of frustrations. I used the wrong type of transparency for image exposure to plate; an inkjet rather than a laser jet transparency; and when I finally got the plate exposed and etched, I had problems printing it. I’m still not sure what went wrong, but printmaking is all about trial and error and practice. So for my second photo etching I was only able to get a couple of good artist proofs rather than an edition as I would have liked. Here it is with chine-collé and hand inking for the background.

Little Cactus © Catherine Cronin

(© Catherine Cronin)

Photography into Etching – Hand Colouring

I have finished a 3 day course on photo etching at City Lit taken over 3 weekends.

You can read about it here.

A couple of the prints with chine-collé weren’t working well, so I added some hand inking to see if I could get a more harmonious image. Have a look at the before and after photographs below.

AlhambraCourtyardBlueOrangehalf

Before:
Alhambra Courtyard Blue; Orange Chine-collé

AlhambraCourtyardBlueOrangehalfinked

After:
Alhambra Courtyard Blue; Orange Chine-collé
Orange & Green Ink Hand Colouring

AlhambraCourtyardRedOrange

Before:
Alhambra Courtyard Red; Orange Chine-collé

AlhambraCourtyardRedOrangeInked

After:
Alhambra Courtyard Blue; Orange Chine-collé
Blue, Orange & Green Ink Hand Colouring

(© Catherine Cronin)

Photography into Etching Day 3

I have finished a 3 day course on photo etching at City Lit taken over 3 weekends.

It was a fantastic course; a great group to work within and an excellent teacher Anne-Marie Foster.

On Day 1 we were introduced to the principles of photo etching; the three different techniques to get source material onto transparent acetate in readiness to expose to a prepared photopolymer plate. We produced a test plate and printed it to understand the process and how to get tones to print successfully. You can read about Day 1 here.

On Day 2 I prepared one of my own artworks in Photoshop for tonal photo etching; and printed test plates. You can read about Day 2 here.

Photo into Etching Day 3: The Final Prints

AlhambraFinalPlateweb

Alhambra Courtyard Final Plate

On Day 3 I wanted to try different ink colours, different paper, chine-collé, and maybe colour rolls. I didn’t have enough time to get to try all I wanted. Below are the various experiments and results. I intend to work further on some of the prints with inks; so more to come on that.

AlhambraCourtyardRed

Alhambra Courtyard Red

AlhambraCourtyardRedYellow

Alhambra Courtyard Red; Yellow Chine-collé

AlhambraCourtyardRedOrange

Alhambra Courtyard Red; Orange Chine-collé

AlhambraCourtyardRedSkyBush

Alhambra Courtyard Red; Blue & Green Chine-collé

AlhambraCourtyardBlue

Alhambra Courtyard Blue

AlhambraCourtyardBlueOrange

Alhambra Courtyard Blue; Orange Chine-collé

AlhambraCourtyardBlueOrangehalf

Alhambra Courtyard Blue; Orange Chine-collé

(© Catherine Cronin)