Japanese Anenome Linocut in Progress

I have been working on my Japanese Anenome Linocut, 3 colours down and 2 more to go. This is a reduction linocut, which means after I have printed a colour, I remove more material from the lino block to print the next colour.

The design has changed a bit as I’ve been cutting and printing the block in reaction to the colours I can produce with the inks I have.

I have been using strips of mountboard glued to a plastic sheet to register the lino block with the paper. The registration has been excellent, but the strips of mountboard have embossed their shape on the paper print. Once I have a final edition of prints I will window-mount them so that the unwanted embossed effect is hidden.

(© Catherine Cronin)

 

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Japanese Anenome Linocut – First Cut

I designed a Japanese Anenome linocut last year; you can see the different designs here. I am going to print this using the reduction cutting method; I have cut the block for the first colour, which will be a pale blue.

AnenomeLinoColour1web

AnenomeLinoandDesignweb

AnenomeDesignweb

(© Catherine Cronin)

Weekly Sketch – Japanese Anenome – 06/16/2015

I am working on a new design for a linocut print of a japanese anenome flower. I love growing colourful flowers on my balcony; I am fascinated by the variety of form, function and colours; the change from bud to bloom to seedhead. I am working towards doing a series of flower prints. I am cutting the lino currently for the first design I did for ‘Marigold’, which has set the tone to start the series, bold and graphic. I might try a few more variations before settling on the final design for the japanese anenome, but I am liking the bottom right image the best.

AnenomesDesignsCCroninweb

(© Catherine Cronin)