Weekly Sketch – Cactus Collage – 26/03/2017

I’ve been playing around with painting textures and patterns on paper; then used them to make this cactus collage. The very bright green small cactus arm is one of those coffee cup cardboard holders; I used it to print the green zig-zags on the cactus arm behind it, then decided I quite liked it just as it was painted.

(© Catherine Cronin)

 

Weekly Sketch – Oak Leaves & Acorn Collage – 01/12/2016

I’ve been a bit quiet on the blog lately due to preparing for two Christmas Fairs. I’ll be at the Horniman Museum this weekend, it looks like it will be a very merry affair and it is free, you can find all the details here: http://www.horniman.ac.uk/visit/events/horniman-christmas-fair

I’ve been playing with drawn collage which is a good way of finding out how to balance different elements of your picture. I think this collage of oak leaves and acorn could make for a bold linocut print, what do you think?

englishoakacorncollageccronin_web

 

(© Catherine Cronin)

Weekly Sketch – Aloe Collage – 26/08/2016

I really enjoyed making this collage of my potted aloe plant (aloe variegata). Here you can see a watercolour I made of this plant last year – Succulent Splash. It has doubled in size since then.

SucculentCollageCCronin_web

(© Catherine Cronin)

Weekly Sketch – Fern & Matisse – 27/07/2016

I wanted to paint a lovely Japanese fern that I recently purchased; and it was serendipitous that I happened to place it in front of a Matisse foliage print. I rather like the way they echo each others shape; and the colours work together harmoniously.

FernandMatissePaintingCCroninWEB FernandMatissePaintingCUCCroninWEB

(© Catherine Cronin)

 

Japanese Anenome Linocut in Progress

I have been working on my Japanese Anenome Linocut, 3 colours down and 2 more to go. This is a reduction linocut, which means after I have printed a colour, I remove more material from the lino block to print the next colour.

The design has changed a bit as I’ve been cutting and printing the block in reaction to the colours I can produce with the inks I have.

I have been using strips of mountboard glued to a plastic sheet to register the lino block with the paper. The registration has been excellent, but the strips of mountboard have embossed their shape on the paper print. Once I have a final edition of prints I will window-mount them so that the unwanted embossed effect is hidden.

(© Catherine Cronin)

 

Cardoon Seedheads – Colour & Form Exploration Part 2

I’m working my way towards a linocut print of Cardoon Seedheads. Early drawings blogged here and my first exploration of colour and form in this subject blogged here. I finalised the seedhead forms but wanted to explore the background a bit more. I created different backgounds using gouache paint and then arranged roughly made cut-out seedhead forms on top of each one to see which I preferred. Using cut-outs was a great way to avoid repeatedly drawing and painting the same seedheads for each background. I’m leaning towards a mixture of backgrounds 2 and 3 as seen in the images below – I just need to paint it up. Putting it on the to-do list.

CardoonCollage1CCroninweb CardoonCollage2CCroninweb CardoonCollage3CCroninweb

(© Catherine Cronin)